CYMATICS

CYMATICS from Susi Sie on Vimeo.

All scenes were filmed by using lycopodium powder, 50 Hz, a Canon 5D and a 100mm macro lens.

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Kymat - Wet Sound Enlightenment / Augenlied (Kymat&Junopilot)

Kymat - Wet Sound Enlightenment / Augenlied (Kymat&Junopilot) from elfenmaschine on Vimeo.

There are certain amount of vibrational patterns, which are found at different levels:
a time of day, an organ, a color, a plant: one sound.
The sound image of octaves is a law of nature.

In the water sound set by Kymat a water wave surface becomes filmed while being played with music or specific frequencies and tones.
So create beautiful sound structures and forms you can find everywhere in nature.

www.kymat.de
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Es existieren gewisse Schwingungsmuster, die sich auf verschiedenen Ebenen wieder finden; eine Tageszeit, ein Organ, eine Farbe, eine Pflanze: Ein Ton.
Das Klangbild der Oktaven ist ein Naturgesetz.

In dem Wasserklang Set von Kymat wird eine Wasserwellenoberfläche abgefilmt, während sie mit Musik oder bestimmten Frequenzen und Tönen bespielt wird. So entstehen wunderschöne Strukturen und Klangformen die man überall in der Natur wiederfinden kann

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Download: High resolution geometric backgrounds. Meditation background. Yoga Flyer background. Zen print.

80 mesh - the shape of sound: music visualized with sand

80 mesh - la forma del suono integrale from MARTE on Vimeo.

80 MESH - la forma del suono - from miriam dessì on Vimeo.

'80 mesh - the shape of sound' is a project that investigates fragmentation, reconstruction and repetition generated through the morphogenetic possibilities of sound waves - visualized through the modeling of fine grain sand. the work was curated by ravenna-based cultural association marte and born from a collaboration under the artists group CaCO3 - coordinated by daniele torcellini. the multidisciplinary artwork - informed by the research of the german physicist ernst chladni - is a device composed of three 50 x 50 cm metallic plates that are placed horizontally alongside each other, with a quantity of garnet sand (80 mesh references the particles size) homogeneously dispersed over the plates. the dishes were electrically linked to the sound waves produced by an onde martenot - an early electronic musical instrument invented in 1928 with a similar sound to a theremin - played by ratsimandresy. a transducer converted the electrical signals of the waves into mechanical impulses, and the sand, due to the oscillations of the plates, produced many different structures in response to the wavelengths of the sound. the forms produced were either strictly regular, symmetrical or would gradually grow to become more and more complex - the higher the frequency, the more detailed the patterning. some wavelengths defined sharper forms than others, due to the resonant frequencies of the plates. during a ten day residency, ratsimandresy played a fifteen minute long piece that followed a strictly formalized procedure. the plates were mapped in order to discover the resonant frequencies of each and a selection of those frequencies were used to create a sequence of forms as a way to represent the personal choice of the musician. this means the composition was not realized from notes but from the generated forms and, specifically, from a sequence of forms. the composition consists of three voices, one for each plate.

Cymatics

YouTube

Project 2 of R.J. Ward's VART 84 class.
Edited footage from three films on cymatics.
Music: Lightless Dawn by Kevin Macleod

Cymatics - Sound & Shape - Sacred Geometry

Sound produces shapes when transmitted through liquid. It has long been accepted that sound is simply a wave when in fact, it is much more. It extends outwards in a three dimensional sphere or beam containing geometric patterns and shapes. Everything around us is vibrating and the frequency of every object gives it form. Cymatics, the study of visible sound/vibration, has much to teach us about the world around us and how all of creation is interconnected.